Remember the aggravation of a he said/she said dialogue when you're in an argument? Well, The Wall Street Journal says you're not alone. Elizabeth Bernstein in her article "Honey, You Never Said..." shares fascinating research on how it is that couples recall events or commitments very differently from each other. Who's right? We all want to know, but we will probably never know because there is no right. "Fights often begin with two versions of events. People tend to remember the arguments they lost."
To illustrate, Bernstein opens with a disagreement between a couple. Both agree that after compromising, Carrie told her husband Joe that he could get the arcade machine he wanted. But when he went to pick it up, he purchased two. Carrie was surprised. They hadn't talked about it. Joe claims they did. Isn't it a simple fact? No, it isn't. "How can two people have different memories of the same event? It starts with the way each person perceives the event in the first place - and how they encoded that memory," concludes psychologist Dr. Michael Ross.
It turns out that women seem to remember more about relationship issues and their memories of them are "more vivid and detailed," possibly because women report being more emotional at the time of the argument. But before we develop a gender superiority complex, this does not mean that their memories were more accurate. You usually remember the most recent version of your story. Feelings can also change, manipulate and shape memory, especially negative ones.
In other words, there is not one version of every story. Best to focus on the emotions associated with the argument than fight over recall, says Professor Andrew Christensen in Reconcilable Differences. This can be liberating, especially when it comes to happy facts and memories.
We are getting ready to share our national narrative with family and friends around the Seder table. That story is dependent on memory, even if it's not first-hand. We are mandated to tell the story and relive history from four different biblical verses representing different ways that people seek out their history: either they ask, it is triggered or it is told to them:
"And when your children ask you, 'What do you mean by this rite?' you shall say, 'It is the Passover sacrifice to the Lord, because he passed over the houses of the Israelites in Egypt when He smote the Egyptians but saved you houses.'"
"And you shall explain to your son on that day, 'It is because of what the Lord did for me when I went free from Egypt.'"
"And when, in time to come, your son asks you, saying, 'What does this mean to you?' you shall say to him, 'It was with a mighty hand that the Lord brought us out from Egypt, the house of bondage.'"
"When in time your children ask you, 'What do the decrees, laws and rules mean that the Lord our God has enjoined upon you?' you shall say to your children, 'We were slaves to Pharaoh in Egypt and the Lord freed us from Egypt with a mighty hand.'"
These verses form the spinal cord for the famous Four Sons portion of the Haggada. The sages of old could not understand why the Torah, with its economy of language, would include four verses to get you to share the exodus with the next generation. Their conclusion: there are four different learners, and each needs to know the story. If so, then we have to be generous story-tellers with the capacity for differentiated learning at the table.
But perhaps this isn't the only reasonable interpretation of these multiple commands to do the same thing. You can have one child who remembers a story four different ways depending on the vantage point and the situation. We are often called upon to share differing versions of what we experienced. This is why being a witness is a sacred job. You cannot limit the way the imagination weaves together facts.
What you can do is tell a story with lots of positive energy and - as the quote above suggests - in a way that amplifies mood and meaning so that the memory will last longer and be more transformative. "What does this mean to you?" suggests the personal relevance of the story to everyone who hears it. We tell the same story in different ways all of the time. We may eventually settle on a consistent narrative and then adapt the core aspects to an audience; the audience also change the story. Our Haggadah presses us to read more deeply into the exodus and its meanings that will subsequently allow myriad other stories to unfold.
What does it all mean to you?